I've been reading (I may already have mentioned this) a lot of murder mysteries.
To be more specific, I've been eating my way through a shopping bag of mildewed Agatha Christie dime novels, which my friend Adam left on my doorstep when he moved to St. Paul.
I didn't think, when he gave them to me, that I'd actually read the whole dang bag. But I will.
My favorite so far... So Many Steps to Death.
But of course I need to justify this "project" by writing about the formula, the methods of the genre, or by telling everyone I know that I'm "using" the books.
So I'm writing a series of "Who Dun It" poems. Yep. For real.
Oh who ever knows if I'll get it done... I have a lot of projects on my plate right now.
But I'm thinking...
Maybe that's what poetry needs. Punchlines. Cliffhangers. Red Herrings.
So many poems whimper and fizzle in a melancholy way. And it's pretty and all. Or thought provoking. Or you get left with a sense of...
"YES, that is the way the world happens... quietly and with a bird above it."
But it isn't really the kind of ending you want, the kind of race-to-the-finish that makes you dash home to finish the poem. Is it?
I mean, SO OFTEN you find a poem that has the elements of excitement (Death, Sex, Anger, Envy, Fury, Injustice) but then it totally fades, usually with a person looking out a window, or an image from totally outside the poem. A sigh.
Like this:
I'm really angry at Jeff,
who married Josie,
the woman I wanted to FUCK.
I want to kill Jeff. I think
I will kill Jeff, that bitch.
I think I'll put a knife
in his throat until it gurgles,
while I watch the river
wind it's way into the next
morning. There is one
you know. A morning.
Usually. When the deer
come to the salt lick, they
hold their ears back. Just so.
Okay okay okay. Maybe that's a little bit exagerated, and I wrote it in 94 seconds (I timed myself). But you know what I mean.
But what if instead the poem started with:
They found Jeff, his throat
gurgling on the Persian Carpet.
The deer outside had already
fled. Josie was weeping.
And then what if the poem went on, and there were many culprits and clues. Would you read to the end? I think you would. For the gory details? What if there were pictures. Spooky ones, in which a person was disappearing through a dark door, so you could only see his dark foot, enshrouded in a dark cloak and some darkness.
I need to ponder more on this theme, but I think I'm onto something. Perhaps I can single-handedly save the illustrious and mysterious Mr. P. Oetry.
Poor guy. Would you care?